AUTHOR SPOTLIGHT – AARON ROSENBERG – GREASE MONKEYS


We are at it again! Kicking off the year with a brand-new campaign: Full Steam Ahead!

While we are not the first to explore the realm of dieselpunk, it is fair to say there isn’t a lot out there. And I can say with full confidence no one else has gone in this direction! Grease Monkeys: The Heart and Soul of Dieselpunk takes a look at the mechanics that keep the tech running and even mod it out beyond its original capabilities, striving for efficiency and peak performance or just keeping things going.

The other two books funding through the campaign are Grimm Machinations – the sequel to Gaslight & Grimm, bringing you even more steampunk faerie tales; and A Cast of Crows, a Poe-inspired steampunk collection created in conjunction with the Tell-Tale Steampunk Festival.

Over the course of the campaign, we will be featuring these spotlights so you can get to know our authors—and the projects—better.


eSpec Books interviews Aaron Rosenberg contributor to Grease Monkeys: The Heart and Soul of Dieselpunk, edited by Danielle Ackley-McPhail and John L. French and Forgotten Lore Volume One: A Cast of Crows, edited by Danielle Ackley-McPhail.

 eSB: Grease Monkeys is a collection of dieselpunk stories, a genre that doesn’t seem to get as much attention as its older sibling, steampunk. What challenges did you face transitioning from one to the other? What did you find similar, and what was different?

AR: Dieselpunk is interesting in that it’s a whole different aesthetic to steampunk, both visually and tonally. You’re dealing with gas and oil rather than steam, so machinery is taken to the next level, which also means that it integrates into the world differently. Part of that is the noir aspect and how that plays out. Everything in dieselpunk is gritty, more iron and steel and less glass and brass, but there’s also a certain “can do” attitude that carries through it all, with people struggling through adversity and persevering through sheer will.

eSB: What was your favorite aspect of writing for this collection and why?

AR: It’s not a genre I’ve played in much yet, and the particular focus on the people who make things work behind the scenes was also really interesting to me. I like stories that don’t focus on the obvious heroes (or villains) but look at the people who are just as integral but less in the spotlight.

eSB: No spoilers, but what was your inspiration for your story and did you introduce any Easter eggs for either the dieselpunk aspect or your own body of work?

AR: There are strong hints of League of Extraordinary Gentlemen and The Boys in mine, I’d say. But also, there was a Batman story at one point about his mechanic, and that was the first thing I thought of when approaching this, the person who’s responsible for keeping something like the Batmobile running.

eSB: Are there any interesting details that you incorporated in your story to harken to the historic period of the genre? Are you the kind of ’punk who reveals in the period-appropriate technobabble, or do you dig deep into the research to include period-accurate touches?

AR: Oh, I had way too much fun coming up with character names based on diesel terms! Both heroes and villains. Even the featured headquarters and its various areas are all pulled from that. I think it’s the little touches like that which really bring a story to life and also help ground it in its setting.

eSB: Is this your first time writing for a themed anthology? If so, how did you find the experience? If not, what draws you to them?

AR: Ha, no. I’ve actually lost track of how many themed anthologies I’ve been in, but certainly a few dozen. I love it. It’s having those constraints which forces you to be more creative with your work, to find ways to push against the limits and really write something new and original while still staying within the guidelines.

eSB: A Cast of Crows is unique in that it is a key part of the upcoming Tell-Tall Steampunk Festival, a first-year event kicking off with a Poe theme. What challenges did this present when choosing what to write?

AR: Well, it’s a themed anthology but that theme is far more focused than, say, a genre or a time period. This had to be a Poe story, first and foremost. Then it had to be steampunk. There were also a few elements we were required to include somehow, in order to connect to an activity at the event. Lots of constraints, lots of guidelines—which just made it that much more fun.

eSB: Did you base your story on your own previous literary setting or did you embrace the Poe connection? Or hey, did you do both?

AR: I’m a huge Poe fan, have been since high school, taught various Poe stories and poems in college, so I was absolutely going to focus on that aspect and try to make sure my story fit. At the same time, this isn’t a pastiche. I wasn’t trying to copy Poe’s own style, just write something that would work as a spiritual successor.

eSB: No spoilers, but what was your inspiration for your story and did you introduce any Easter eggs for either the Poe aspect or your own body of work?

AR: In addition to liking Poe in general, I love the M. Auguste Dupin stories, so I immediately started thinking about those as my primary source of inspiration. But I also incorporated some elements, at least stylistically, from “The Masque of the Red Death.” And I have nods to a few other Poe stories and poems in things like names and costumes.

eSB: Did either of these projects inspire you to continue writing with the characters you created, or in the same universe?

AR: I would love to do more tales about Phillipe Huron, my detective in my Cast of Crows story “A Heavy Air,” or Lily Jeffries, the main character in my Grease Monkeys story “Nobody’s Hero”! Or just to tell more stories in the worlds I created for each of them. For Cast of Crows, it would be fun to do more detective/police procedural stories, even if he weren’t in them. For Grease Monkeys, I’ve set up an entire league of heroes and any of them would be cool to explore more.

eSB: What advice would you give aspiring authors considering participating in a themed anthology?

AR: Think about the theme and the obvious things it means, suggests, presents—and then think about the less obvious ones. Turn it on its side. Inside out. Poke and prod it. Find a spot or an aspect or an interpretation you haven’t seen done before, or one you have but still feel has room to explore, and then start thinking about what kind of story that presents to you. Everything should flow from the theme, but there is a flow, it has to be organic, rather than being forced.

eSB: What other events are you doing this year—dieselpunk, steampunk, or otherwise?

AR: I’ll be at Farpoint February 10-12, Origins Game Fair June 21-25, Shore Leave July 7-9, and possibly Heliosphere April 28-30.

eSB: What are some of your other works readers can look for?

Yeti-CoverFrontAR: My urban fantasy novel Yeti Left HomeAaron Rosenberg No Small Bills, the first in a series about a mild-mannered Yeti in Minneapolis-St. Paul and the things that happen to him, comes out from NeoParadoxa Press on February 1. My SF comedy series The Adventures of DuckBob Spinowitz, starting with the novel No Small Bills, is available from Crazy 8 Press. The first four books in my Anime-inspired epic fantasy series The Relicant Chronicles are available through Falstaff Books. O.C.L.T., the occult thriller series I write with David Niall Wilson, is over at Crossroad Press. Cases by Candlelight, a collection of Sherlock Holmes stories I did with Christopher D. Abbott and Michael Jan Friedman, can be found on Amazon. And my first fantasy pirate mystery adventure novel, Deadly Fortune, and its upcoming sequel Weather Gap, are with Eldros Legacy.

eSB: What projects of your own do you have coming up?

AR: I mentioned Yeti Left Home and Weather Gap above, those are both done and releasing this year. I’m writing the second Yeti novel, the final Relicant Chronicle, and a cryptid novel this year as well. Oh, and the second Holmes collection, More Cases by Candlelight, will be out this fall as well.


RosenbergAaron Rosenberg is the author of the best-selling DuckBob SF comedy series, the Relicant Chronicles epic fantasy series, the Dread Remora space-opera series, and—with David Niall Wilson—the O.C.L.T. occult thriller series. Aaron’s tie-in work contains novels for Star Trek, Warhammer, World of WarCraft, Stargate: Atlantis, Shadowrun, Eureka, Mutants & Masterminds, and more. He has written children’s books (including the original series STEM Squad and Pete and Penny’s Pizza Puzzles, the award-winning Bandslam: The Junior Novel, and the #1 best-selling 42: The Jackie Robinson Story), educational books on a variety of topics, and over seventy roleplaying games (such as the original games Asylum, Spookshow, and Chosen, work for White Wolf, Wizards of the Coast, Fantasy Flight, Pinnacle, and many others, and both the Origins Award-winning Gamemastering Secrets and the Gold ENnie-winning Lure of the Lich Lord). He is the co-creator of the ReDeus series, and a founding member of Crazy 8 Press. Aaron lives in New York with his family. 

Learn more about Aaron Rosenberg here:

Website  *  GoodReads  * Amazon Author Page  *  BookBub  *  Wikipedia  

Follow Aaron Rosenberg on social media: 

Facebook  *  Twitter  *  Instagram

CONVENTION SCHEDULE – FARPOINT 2023


cropped-FarpHeaderEvenBetterAll the cool kids are doing it, so here go our schedules for Farpoint taking place February 10 – 12 in Hunt Valley, Maryland. Really hope to see you all there! We will be celebrating the release of Aaron Rosenberg’s Yeti Left Home and Keith R.A. DeCandido’s upcoming Phoenix Precinct, among other titles, as well as spreading the word about our Kickstarter campaign, Full Steam Ahead! which will be in the final days of its funding period.

Many eSpec authors will be there that weekend, and where possible, I have included links to their schedules as well.


Danielle Ackley-McPhail

Friday

5:00 PM – Salon D
Salvaging Old Ideas

Saturday

1:00 PM – Salon D
Developing A World 
 
6:00 PM – Salon D
Build A Book Workshop

Sunday

Noon – Derby
Author Readings (McPhail, Woosley, Abbott) – 

Mike McPhail

Saturday
Noon Salon D
Write What You Know 
Sunday
Noon Salon D
Publishing Nightmares And Cautionary Tales

Related Schedule Posts

JANUARY NETGALLEY LISTINGS


Do you like free books? I guess I already know the answer to that one…

Do you have a NetGalley account? If so, great! If no, they are free to sign up for, and once you have one, you can request all kinds of books to review, some of them before they’ve even been released! From large publishing houses and small. Here’s a link to NetGalley in case you want to sign up. 

Unintentionally, eSpec has three offerings in January, Yeti Left Home (cryptid/urban fantasy) by Aaron Rosenberg, Phoenix Precinct (fantasy police procedural) by Keith R.A. DeCandido, and The Corpse Fauna Chronicles (zombies) by James Chambers. You can read more about these books below. Once you do, we hope you will click the links below to head over to NetGalley and request them.


Yeti Left Home

Aaron Rosenberg

Yeti-CoverFront

Small-Town Yeti, Big-City Problems

Peaceful, unassuming Wylie Kang—a Yeti with an appreciation for more human creature comforts—lives a quiet life in his self-built sanctuary on the outskirts of Embarrass, Minnesota. But when violent dreams disturb his peace, and a series of strange murders plague the area, a Hunter comes to town, nosing after Wylie’s trail.

Fleeing pursuit, Wylie packs up his truck and heads for the Twin Cities, hoping to lose himself in the urban jungle, only to find a thriving supernatural community.

Just as he begins to settle in—with the help of some new-found friends—he discovers the bloodshed has followed… as has the Hunter.
Can Wylie catch the killer, before the Hunter catches him?


Phoenix Precinct

Keith R.A. DeCandido

Proof-NeuPhoenix-FrontCoverHumans and elves, dwarves and gnomes, wizards and warriors all live and do business in the thriving, overcrowded port city of Cliff’s End, to say nothing of the tourists and travelers who arrive by land and sea, passing through the metropolis on matters of business or pleasure—or on quests. The hard-working, under-appreciated officers of the Cliff’s End Castle Guard work day and night to maintain law and order as best they can.

A fire in the neighboring city-state of Barlin has resulted in hundreds of refugees pouring into Cliff’s End, forcing the creation of a new neighborhood—Albinton, which everyone calls “New Barlin”—and a new police precinct—Phoenix Precinct. Violence against the refugees is on the rise. Lieutenants Danthres Tresyllione and Torin ban Wyvald are called to the latest act of brutality, which has resulted in a vicious murder. But what appears to be a simple hate crime turns out to be far more complicated, as Danthres and Torin’s investigation leads them to corruption in the Castle Guard—and in the castle itself!

An all-new adventure of the Cliff’s End Castle Guard!


The Corpse Fauna Chronicles

James Chambers

Corpse Fauna 2 x 3A chronicle of survival in a world of the living dead.
There is no Heaven or Hell; there is only blood and the dust of flesh.

The Corpse Fauna Chronicles

A vast, malevolent darkness streams across the cosmos. A plague of the living dead sweeps over the Earth. Those left alive scramble for survival like insects feasting on a corpse. And from dead flesh stare a million unnatural eyes. Will the balance of the world tilt to life—or death? Only a handful of the living will decide. Manipulated by undead powers, they travel rough roads of deprivation and danger, finding themselves snared in a web spun by saints and sinners with control of the reanimated dead.

Cornell, one-time bank robber seeking only freedom.

Della, nurse escaping the prison of her past.

Burke, former military scientist clinging to the last of his sanity.

Vale, abandoned, finding her true strength in the world of the dead.

These four and a handful of others must discover the truth behind what brings the dead back to life and what they desire from the living.

Forget the meek. Will the living or the dead inherit the Earth?

Find out in The Corpse Fauna Chronicles. Collected here for the first time in one volume is the complete Corpse Fauna cycle of novellas, short stories, and illustrations, a saga of horror and survival more than twenty-five years in the making.

 

JANUARY EARLY REVIEWER LISTING


Don’t worry if you’ve never heard of this before. LibraryThing, a free personal library management site, has been around for a while. I believe it even predates GoodReads, but it wasn’t as flashy or as easy to use, so it didn’t take off as well. But you know, it’s still around and constantly improving its game. In some ways, it’s better than GR, now that the great Zon has taken over. Signing up is free, and the platform has gotten much easier to use, though still a little difficult to navigate, in comparison.

Anyway, earlier this year, they started Early Reviewers, a new program where authors and publishers can offer new titles to reviewers anywhere up to six months after publication. This month we have only one title on offer, but snap it up. It’s a good one!


Yeti Left Home by Aaron Rosenberg

Yeti-CoverFront

Small-Town Yeti, Big-City Problems

Peaceful, unassuming Wylie Kang—a Yeti with an appreciation for more human creature comforts—lives a quiet life in his self-built sanctuary on the outskirts of Embarrass, Minnesota. But when violent dreams disturb his peace, and a series of strange murders plague the area, a Hunter comes to town, nosing after Wylie’s trail.

Fleeing pursuit, Wylie packs up his truck and heads for the Twin Cities, hoping to lose himself in the urban jungle, only to find a thriving supernatural community.

Just as he begins to settle in—with the help of some new-found friends—he discovers the bloodshed has followed… as has the Hunter.

Can Wylie catch the killer, before the Hunter catches him?

 

 


Aaron Rosenberg is the author of the best-selling DuckBob SF comedy series, the Relicant Chronicles epic fantasy series, the Dread Remora space-opera series, and—with David Niall Wilson—the O.C.L.T. occult thriller series. Aaron’s tie-in work contains novels for Star Trek, Warhammer, World of WarCraft, Stargate: Atlantis, Shadowrun, Eureka, Mutants & Masterminds, and more. He has written children’s books (including the original series STEM Squad and Pete and Penny’s Pizza Puzzles, the award-winning Bandslam: The Junior Novel, and the #1 best-selling 42: The Jackie Robinson Story), educational books on a variety of topics, and over seventy roleplaying games (such as the original games Asylum, Spookshow, and Chosen, work for White Wolf, Wizards of the Coast, Fantasy Flight, Pinnacle, and many others, and both the Origins Award-winning Gamemastering Secrets and the Gold ENnie-winning Lure of the Lich Lord). He is the co-creator of the ReDeus series, and a founding member of Crazy 8 Press. Aaron lives in New York with his family. You can follow him online at gryphonrose.com, on Facebook at facebook.com/gryphonrose, and on Twitter @gryphonrose.

 

 

 

 

 

eSPEC WEEK IN REVIEWS


I haven’t done one of these in a while. Life gets in the way and you never know when some kind soul will post a review. Delighted with those that have appeared recently.


Yeti-CoverFront

Rosenberg’s tongue-in-cheek approach charms, creating an endearing, hirsute hero. Readers are sure to be entertained.

Publishers Weekly

Splendid urban fantasy – shy, retiring Yeti who appreciates modern comforts (toilet paper!) is forced to relocate to the city.

Julian White, GoodReads


Low Res

“Readers should add Even in the Grave and Other Terrors to their bookshelves next to copies of Lovecraft’s tales and Victorian authors’ macabre stories. […] Readers will enjoy both anthologies’ bloodcurdling, thrilling tales — stories that will make them lock their doors and check underneath their beds before drifting off to sleep.”
Lindsey Carman Williams, The Los Angeles Review of Books
“The stories here are unique and well-written. This book really has that eerie atmosphere a good horror anthology has.”

Esprit de Corpse Temporary 2 x 3“Steampunk, werewolves, spirits, and romance. All the ingredients a reader needs for a fast-paced, action-packed adventure.”

Maria V. Snyder, New York Times bestselling author of Navigating the Stars

(Advance Review Blurbs)

“A wild, steampunky adventure with laugh-out-loud moments and a perfect set of heroines. Hold on and enjoy the ride!”

Gregory Frost, author of Rhymer and Shadowbridge

“A rollicking steampunky romp through post-Revolution France. Most delectable!”

Tiffany Trent, author of The Unnaturalists

“A meticulously-built world awaits readers in this delightful steampunk mystery.”

A.C. Wise, author of Wendy, Darling and Hooked

“A truly delicious story. Deal confidently establishes her world and characters with small historical details and revealing turns of phrase, and leads you through the story’s twists to a satisfying end. *Chef’s kiss!*”

Miriam Seidel, author of The Speed of Clouds.

“A fun steampunk adventure that fans of Indiana Jones are sure to love.”

John L. French, award-winning author


SP - Chessie At Bay 2 x 3“I loved this book! I love the idea of cryptids being so aware, so available and they make for exciting adventures and stories.”

Alejandra Ivanez, LibraryThing Early Reviewer

“If you like mystery, intrigue, and good old gumshoe stories with a unique twist, this one is for you.”

A.L. Kaplan, LibraryThing Early Reviewer

COVER REVEAL – YETI LEFT HOME


I am delighted to reveal the cover for Aaron Rosenberg’s Yeti Left Home, recently funded as a part of our Fantastic Novels campaign, along with Keith R.A. DeCandido’s Phoenix Precinct and Ef Deal’s Esprit de Corpse. The cover art and design, created by Mike McPhail of McP Digital Graphics, perfectly captures the essence of this quirky urban fantasy-meets-cryptid-adventure. If you missed our Kickstarter, you can pre-order all of the titles via the eSpec Books online store.

eSpec Books will be hosting a Launch Party Saturday November 19 in the Con Suite at this year’s Philcon, taking place November 18-20 in Cherry Hill, NJ. All three authors and their books will be present, along with other eSpec Books authors celebrating new releases: Robert E. Waters, Jorie Rao, Anton Kukal, Michelle D. Sonnier, Carol Gyzander, Amy Grech, Alp Beck, Ty Drago, and Danielle Ackley-McPhail.


Yeti-CoverFront

Small-Town Yeti, Big-City Problems

Peaceful, unassuming Wylie Kang—a Yeti with an appreciation for more human creature comforts—lives a quiet life in his self-built sanctuary on the outskirts of Embarrass, Minnesota. But when violent dreams disturb his peace, and a series of strange murders plague the area, a Hunter comes to town, nosing after Wylie’s trail.

Fleeing pursuit, Wylie packs up his truck and heads for the Twin Cities, hoping to lose himself in the urban jungle, only to find a thriving supernatural community. Just as he begins to settle in—with the help of some new-found friends—he discovers the bloodshed has followed… as has the Hunter.

Can Wylie catch the killer, before the Hunter catches him?


AaronRosenberg

Aaron Rosenberg is the author of the best-selling DuckBob SF comedy series, the Relicant Chronicles epic fantasy series, the Dread Remora space-opera series, and—with David Niall Wilson—the O.C.L.T. occult thriller series. Aaron’s tie-in work contains novels for Star Trek, Warhammer, World of WarCraft, Stargate: Atlantis, Shadowrun, Eureka, Mutants & Masterminds, and more. He has written children’s books (including the original series STEM Squad and Pete and Penny’s Pizza Puzzles, the award-winning Bandslam: The Junior Novel, and the #1 best-selling 42: The Jackie Robinson Story), educational books on a variety of topics, and over seventy roleplaying games (such as the original games Asylum, Spookshow, and Chosen, work for White Wolf, Wizards of the Coast, Fantasy Flight, Pinnacle, and many others, and both the Origins Award-winning Gamemastering Secrets and the Gold ENnie-winning Lure of the Lich Lord). He is the co-creator of the ReDeus series, and a founding member of Crazy 8 Press. Aaron lives in New York with his family. You can follow him online at gryphonrose.com, on Facebook at facebook.com/gryphonrose, and on Twitter @gryphonrose.

COVER REVEAL – PHOENIX PRECINCT


So, there is a proto-cover floating around out there, but we weren’t quite happy with several of the aspects, and Mike McPhail of McP Digital Graphics is always upping his game, so you know he had to bring this cover’s image up to date.

But first, eSpec Books Fantastic Novels, the campaign funding this and two other books, is in its final two days. We have received phenomenal support, but I cannot deny that there are a few goals still on the table that we *really* want to hit, bonus stories, illustrations, but most of all, hardcover editions of all three novels, Phoenix Precinct by Keith R.A. DeCandido, Yeti Left Home by Aaron Rosenberg, and Esprit de Corpse by Ef Deal. Please, think good thoughts for us, and perhaps, if you’ve been considering it… check out the campaign and maybe chip in a few bucks to make this dream happen.

Not in a position to do that? Well, a good, old-fashioned share to your friends and family helps out bunches too!

Now… I am delighted to reveal to you the final, refined image for Keith R.A. DeCandido’s Phoenix Precinct!


Proof-NeuPhoenix-FrontCover

Humans and elves, dwarves and gnomes, wizards and warriors all live and do business in the thriving, overcrowded port city of Cliff’s End, to say nothing of the tourists and travelers who arrive by land and sea, passing through the metropolis on matters of business or pleasure—or on quests. The hard-working, under-appreciated officers of the Cliff’s End Castle Guard work day and night to maintain law and order as best they can.

A fire in the neighboring city-state of Barlin has resulted in hundreds of refugees pouring into Cliff’s End, forcing the creation of a new neighborhood—Albinton, which everyone calls “New Barlin”—and a new police precinct—Phoenix Precinct. Violence against the refugees is on the rise. Lieutenants Danthres Tresyllione and Torin ban Wyvald are called to the latest act of brutality, which has resulted in a vicious murder. But what appears to be a simple hate crime turns out to be far more complicated, as Danthres and Torin’s investigation leads them to corruption in the Castle Guard—and in the castle itself!

An all-new adventure of
the Cliff’s End Castle Guard!


Keith R.A. DeCandido

Keith R.A. DeCandido is a white male in his late forties, approximately two hundred pounds. He was last seen in the wilds of the Bronx, New York City, though he is often sighted in other locales. Usually he is armed with a laptop computer, which some have classified as a deadly weapon. Through use of this laptop, he has inflicted more than fifty novels, as well as an indeterminate number of comic books, nonfiction, novellas, and works of short fiction on an unsuspecting reading public. Many of these are set in the milieus of television shows, games, movies, and comic books, among them Star Trek, Alien, Cars, Summoners War, Doctor Who, Supernatural, World of Warcraft, Marvel Comics, and many more.

We have received information confirming that more stories involving Danthres, Torin, and the city-state of Cliff’s End can be found in the novels Dragon Precinct, Unicorn Precinct, Goblin Precinct, Gryphon Precinct, and the forthcoming Phoenix Precinct and Manticore Precinct, as well as the short-story collections Tales from Dragon Precinct and the forthcoming More Tales from Dragon Precinct. His other recent crimes against humanity include A Furnace Sealed, the debut of a new urban fantasy series taking place in DeCandido’s native Bronx; the Alien novel Isolation; the Marvel’s Tales of Asgard trilogy of prose novels starring Marvel’s versions of Thor, Sif, and the Warriors Three; short stories in the anthologies Aliens: Bug Hunt, Joe Ledger: Unstoppable, The Best of Bad-Ass Faeries, The Best of Defending the Future, TV Gods: Summer Programming, X-Files: Trust No One, Nights of the Living Dead, the award-winning Planned Parenthood benefit anthology Mine!, the two Baker Street Irregulars anthologies, and Release the Virgins!; and articles about pop culture for Tor.com and on his own Patreon.

If you see DeCandido, do not approach him, but call for backup immediately. He is often seen in the company of a suspicious-looking woman who goes by the street name of “Wrenn,” as well as several as-yet-unidentified cats. A full dossier can be found at DeCandido.net

AUTHOR INTERVIEW – AARON ROSENBERG


Our next author is a seasoned veteran when it comes to writing novels, with over fifty written. He does both original fiction and media tie-in books for several well-known franchises, including Star Trek. His newest novel, Yeti Left Home, is currently funding through our eSpec Books Fantastic Novels campaign. 


eSpec Books interviews Aaron Rosenberg, author of Yeti Left Home

eSB: You have been at this for some time. Nearly four dozen novels and who knows how many stories. But my questions is, where did you get the idea for such a unique mash-up?

AR: I always like turning things on their ear a bit, in terms of genre expectations and what-not. And one day I just had this random thought, what if you had this character who’s a big and scary monster type and everyone assumes is ferocious but really just wants to be left alone? But not “live in a cave” left alone, more like “enjoy beer and watching sports on TV from his recliner” alone? I really liked the idea of taking this solitary, mythic creature that’s only seen in glimpses and known for both its violence and its wildness and making him both peaceful and oddly domestic and a regular, if odd, fixture in a small town. And then taking him out of his comfort zone and throwing him into the big city, forcing him to meet people and build relationships and sort of get a life. That led to thinking about the “why”, of course, and I came up with the idea of him being accused of exactly the sort of thing you’d expect from the myth of him, and him having to prove it WASN’T him at all.

eSB: There is quite a complex combination of myth and legend and pop culture in this novel. What resources did you draw on and how did you transform the source material into something so unique and compelling?

AR: I’ve got several books on things like monsters and legends and fairy tales and world mythology, so those were really useful starting points, plus there are all sorts of websites listing different legends and myths from different cultures. For the pop culture, I hit up places like Yelp and TimeOut a lot. And the Twin Cities’ own websites were extremely useful. One of my favorite things to do with anything I write is to find those little details that’re tucked away but that can be really intriguing, like some of the foods unique to an area or the local sports teams (every one of Wylie’s caps is from an actual team, most of them in Minnesota!). I always feel it’s stuff like that which brings a story to life.

eSB: No one likes to admit it, but everyone has a favorite among their babies. In this book, which one is yours and why?

AR: I love Wylie (the main character), of course. He’s just so earnest! And Knox cracks me up. But I think my favorites are probably the Kobold sisters, Jeannie and Swift—their interactions are just so much fun, their rapport but also the differences between them, and the way they affect everyone else.

eSB: One of the things I particularly loved was the way you interwove technology and the supernatural in this book. Did you have any particular inspiration for that? What challenges did you find in creating this, what some might consider, counterintuitive approach?

AR: That’s half the fun of an urban fantasy, figuring out how to bridge the gap between supernatural—which tends to be ancient, instinctual, barely understood, often in the shadows—and modern tech—which is upfront, ubiquitous, and exhaustively explained. And I particularly like thinking about things like “how would a thousand-year-old vampire deal with having to drive a car for the first time?” or “what is the ancient Egyptian mummy going to think about seat warmers and climate-controlled cabins?” But it’s not just about a character’s age, obviously. It’s their background, and also whatever limitations they might have due to their own nature. Like the fact that Wylie can barely fit in most bathroom stalls, is built to withstand the cold but can’t handle heat, and has hands that aren’t exactly made for fine detail work. That’s the kind of stuff I try to keep in mind when I write things like this, both how the character would see something and what kind of mental and physical adjustments their own upbringing/form/abilities would require.

eSB: It is no secret you are a foodie. Given the opportunity, what whirlwind food tour would you take Wylie the Yeti on, with time, distance and cost no issue?

AR: Ha, well, Wylie’s not big on fancy food, he likes filling, stick-to-your-ribs stuff, so I think we’d have to go Southern, probably hit New Orleans, where I grew up—he’s already tried jambalaya but he needs to check out etouffee, gumbo, and of course Po-boys. Also, some proper fried chicken and a good muffaletta!

eSB: This isn’t your first time writing cryptid fiction. Can you tell us about your other works in the genre?

SP - Gone to Ground 2 x 3AR: I did a novel last year called Gone to Ground, which is a period murder mystery set in the 1920s and featuring a cryptid called the Wunk. That was a ton of fun, both because I love murder mysteries and because of the time period—the whole story is very The Great Gatsby. Plus, the Wunk is just an odd, odd creature, and that really intrigued me. But I also did a book called Time of the Phoenix about, you guessed it, the Phoenix, set in various time periods—and that’s actually based on a roleplaying game called Chosen that I designed and wrote years earlier, which was also where I did a lot of my earlier research on mythic creatures. Plus, two of my occult thrillers from the O.C.L.T. series I do with David Niall Wilson, Incursion and Digging Deep, involved creatures that could be considered cryptids.

eSB: You have made no secret that this is not the end of the road for Wylie and his gang. Can you share with us any of your plans for continued adventures?

AR: Without giving too much away about the end of Yeti Left Home, Wylie finds himself with some new responsibilities he never expected, so I definitely plan to explore that as he tries to make that work. There are also some relationships developing among him and his friends, some secrets that will eventually come to light, and there are various power plays taking place in the Twin Cities’ supernatural population that they’re going to run afoul of, as well.

eSB: If you had to compile a Wylie Kang cookbook, what recipes would appear inside and why?

AR: Like I said, Wylie’s not a fancy sort. Any cookbook he used—or compiled—would have mostly what’s considered “comfort food”, stuff like fried chicken, mac and cheese, potatoes au gratin. How to do a really good burger or a proper steak. And, if he was looking to stretch himself, how to bake a good pie. Probably pumpkin.

eSB: Has this novel inspired you to explore more in the cryptid realm, and if so, which cryptids intrigue you?

AR: Oh, absolutely! In addition to Wylie himself, I’ve already got Kobolds, Redcaps, Banshees, Goblins, and some other, far less known cryptids from all over the world (like the Kishi, which are fascinating)! As he settles in, he’s going to meet still others, and I’m particularly enjoying adapting them to modern life, like with Knox and his cap.

eSB: Could you tell us about one of your most amusing experiences promoting your books?

NSB RVSD coverAR: Okay, I’m not the best at self-promotion (that’s an understatement, folks). What’s funny is, the lead character in my sci-fi comedy series, the Adventures of DuckBob Spinowitz (which starts with No Small Bills), is sort of my opposite there—he’s gregarious to the extreme, no filter, no shame, talk your ear off. So when I launched No Small Bills, I set up a Twitter account for DuckBob himself. And a blog. He’s more likely to blog, honestly, because he can just blather at length there, but he did have fun Tweeting from time to time. And I enlisted a few friends to help with that, which meant sometimes DuckBob would reply to something and I’d be the one surprised by it!

eSB: What is one thing you would share that would surprise your readers?

AR: I always have a moment of “what if I suck at this?” terror every time I start a book. Every. Time. Even after over fifty books (a few aren’t out yet). But, and I say this when I do panels on writing, I think that’s actually a good thing. The day I DON’T have that worry is the day I’m in trouble, because until then I’m always trying to prove myself, to show that I CAN do this, to make each book the best it can be.

eSB: What are some of your other works readers can look for?

Updated DiggingDeep coverAR: I’ve got a few other series either finished or ongoing. There’s the DuckBob books, four of them and that’s it, which are completely ridiculous, silly fun. The OCLT novels are all occult thrillers, dark and fast-paced. Then there’s the Relicant Chronicles, my Anime-esque epic fantasy series (starting with Bones of Empire) and the Areyat Islands books (starting with Deadly Fortune), which are fantasy pirate mysteries. Plus others.

eSB: What projects of your own do you have coming up?

AR: I’m working on my second Areyat Islands book, Weather Gap, right now, and after that I have the fifth and final book in the Relicant Chronicles. Then comes my second Sherlock Holmes collection, More Cases by Candlelight, with fellow authors Christopher D. Abbott, Michael Jan Friedman, and this time Keith R.A. DeCandido. I’m about due to write another OCLT novel, I think—my most recent one, Focal Point, came out this past February. And I’m adapting a pair of short stories into the start of a novel about a Regency-era female pirate, sort of Jane Austen meets Pirates of the Caribbean (no magic, though).

eSB: How can readers find out more about you?

AR: I post on Facebook regularly (at least on my personal page), and on Twitter and Instagram when I remember. Updates for my various series appear on my site and on their respective publishers’ sites, like Crazy 8 Press, Crossroad Press, Falstaff Books, and Eldros Legacy. I’m also at several cons each year, including Shore Leave, Farpoint, PhilCon, Origins, and GenCon.


AaronRosenbergAaron Rosenberg is the author of the best-selling DuckBob SF comedy series, the Relicant Chronicles epic fantasy series, the Dread Remora space-opera series, and—with David Niall Wilson—the O.C.L.T. occult thriller series. Aaron’s tie-in work contains novels for Star Trek, Warhammer, World of WarCraft, Stargate: Atlantis, Shadowrun, Eureka, Mutants & Masterminds, and more. He has written children’s books (including the original series STEM Squad and Pete and Penny’s Pizza Puzzles, the award-winning Bandslam: The Junior Novel, and the #1 best-selling 42: The Jackie Robinson Story), educational books on a variety of topics, and over seventy roleplaying games (such as the original games Asylum, Spookshow, and Chosen, work for White Wolf, Wizards of the Coast, Fantasy Flight, Pinnacle, and many others, and both the Origins Award-winning Gamemastering Secrets and the Gold ENnie-winning Lure of the Lich Lord). He is the co-creator of the ReDeus series, and a founding member of Crazy 8 Press. Aaron lives in New York with his family.

Find out more about him at:

WebsiteAmazonBookBubWikipedia – GoodReads

And follow him on social media at:

Twitter – Facebook (Personal): and Facebook (Author) – Instagram

eSPEC EXCERPTS – YETI LEFT HOME


I have learned not to form preconceived notions when it comes to Aaron Rosenberg’s writing. He is nothing if not versatile and creative. Yeti Left Home is no exception, a quirky and exciting urban fantasy, this book takes monster-of-the-week to a whole new level. Filled with cryptids and other assorted fae, it will keep you turning pages long into the night. Settle back and enjoy this sneak peek of Aaron’s cryptid-in-the-city adventure, which is funding right now as a part of our eSpec Books Fantastic Novels campaign (which is ending soon!), along with Keith R.A. DeCandido’s Phoenix Precinct and Ef Deal’s Esprit de Corpse. Still no cover, but enjoy!


Chapter Six

Wylie’s first instinct, born from his early years, was to go completely still. Of course, that had worked a lot better when he’d been clad in only his fur and was hoping to blend into the equally white snow all around him!

“I said stop!” the shouter continued in a deep, strong voice, which puzzled Wylie further. He had stopped! What was the man on about?

Heavy footsteps thudded on the sidewalk—someone his own size or perhaps even bigger, from the sound of it!

Wylie glanced behind him. And stared.

Because what he saw simply made no sense.

First off, the pounding was coming from a small figure he quickly recognized as the boy street artist. How was he making such a racket when he was so small and slight?

Second, the boy was running away from Wylie, not toward him.

Third, he was not the only one running.

A man was fleeing, or trying to—despite the differences in their size, the boy quickly caught up with him. He looked familiar, and after a second, Wylie realized it was the same guy he’d just bumped into over by the trash can. Maybe he’d been littering? If so, they were really strict about that around here!

“Hand it over!” the boy demanded, and the deep voice proved to be his as well. The man resisted—and the boy grabbed him by the front of his jacket and hoisted him up into the air like an empty sack until his feet dangled off the ground, kicking uselessly. “I said hand it over!”

The man fumbled something out of a pocket, which the boy accepted before tossing his captive aside like so much trash. Evidently, the impact had not been severe, however, because a second later, the man stumbled back to his feet and hurried off, limping slightly. The other people around quickly turned away, acting as if they hadn’t seen any of that but giving both of the figures involved a wide berth.

And the boy had now turned and was heading toward Wylie instead.

“Here you go,” the little youngster said as he reached Wylie. He was holding out—Wylie’s wallet. “I saw him nick it. Can’t be having that, not on my watch.”

“Oh.” Wylie accepted the wallet back. It didn’t have much in it, really—his driver’s license and fishing license, a single twenty-dollar bill for emergencies, an old silver coin he’d found in a fish a few years back and had thought was neat—but still, he appreciated the gesture. “Thanks.”

Up close, he quickly revised his impression of his savior. The “boy” was older than he thought, definitely an adult, albeit a small one. His face was clean-shaven and did have a boyish look, which was only added to by the long reddish-blond hair that flowed free from his cap, but his gray eyes were older and far too worldly to be those of a youth.

The cap drew Wylie’s attention next. It was sort of a newsboy style, he’d guess, rounded in back and peaked in front, and it was a bright, vivid red that looked almost wet, it was so glossy. Otherwise, the boy—man—wore jeans, a T-shirt, a hoodie, and a lined denim jacket.

And the biggest boots Wylie had ever seen.

They looked like ski boots, those big, puffy things that resembled an entire layer of bubble wrap—Wylie had seen those advertised before and occasionally on tourists passing through town. Only these had a dull metallic sheen to them—not bright like chrome, more like old, heavy iron or lead, something like that. Were they actually made of metal? That and their size would explain the tremendous footsteps, at least!

The little man was examining him right back. “So, what’re you, exactly?” he asked, tilting his head to the side and leaning back to peer up at Wylie properly. “Sasquatch? Ogre? Troll?”

“What?” Wylie frowned, shaking his head and wondering if he’d heard correctly. “I—don’t know what you mean.”

In response, his interrogator winked at him. “Oh, sure you do,” he said with a grin. “Come on, lad. No need to be bashful—you’re among friends here. I’m just curious, is all.”

Suddenly very aware of the other people around—who were clearly listening in on the conversation even as they pretended not to be—Wylie held up his hands, the wallet still enfolded in one, and backed away. “No, sorry, I think there’s been some mistake. Thanks again, but I need to—I’ve got to go.”

And he turned and ran.

He wasn’t entirely sure where he was going, of course. He didn’t know this city at all. But he had to get away from this odd little man with his even odder questions.

Sasquatch? As if! But who here in this metropolis even believed in such things?

Wylie had on occasion encountered adults able to see him for what he was, of course, or at least enough to make them realize he wasn’t quite normal. Not quite human. “Second Sight,” a cousin had explained once when he was young, and they’d heard about a woman who’d seen another of their kin, seen them clearly. “Not many have it, and those who do, most don’t realize what it is. But the few who do, they’re dangerous. Steer clear if you can.”

Well, that was exactly what he aimed to do now!

So, he ran, shoving past people with muttered apologies, squeezing through groups and small crowds, turning down streets at random, rushing across them to the honks of cars and the screech of brakes, until his heart hammered in his chest and his breath came in great, rasping gasps. Then he finally skidded to a halt, ducking around a building to shelter in the alley beside it, where he could lean over, resting his hands on his knees as he struggled to breathe again.

But at least he’d lost that stranger.

“You’re pretty fast on your feet for such a big fella,” a voice called from above, and Wylie straightened, peering up.

At the red-capped man, who dangled from a nearby fire escape.

“How?” he managed as the man grasped the railing and flipped forward, dropping gracefully to the ground.

“Parkour,” the stranger replied. “A lot faster going over buildings than around ’em.” He eyed the alley they were in. “Ah, gotcha—a more private place for such talk, am I right? No worries, man. I hear ya. Shoulda been more circumspect, you’re right. My bad.” He shrugged. “Anyway, Knox Adair’s the name. Red Cap, obv. And you are?” And he held out his hand.

Wylie accepted the proffered handshake purely on reflex, which is also why he answered, “Wylie Kang. Uh”—he faltered under the other’s steady gaze but finally mumbled—“Yeti.”

“For real?” The man’s—Knox’s—eyes widened. “Nice! Never met one of you lot before. New to the city, then?”

Wylie nodded, his brain still dazed by this strange turn of events. “Got in last night. You—sorry, did you say ‘Red Cap’?”

“Yep.” Knox pulled off the cap and twirled it on his finger before setting it jauntily back atop his head. “You know, Red Caps? Goblins from the English-Scottish border? Short, strong, big iron boots, caps dipped in the blood of their enemies?” He must have seen Wylie’s horrified expression because he let out a laugh that sounded far too light and cheerful for such a gruesome description. “Naw, no blood here, mate, don’t worry. Oil paint, dontcha know? Gift of the gods, that is—never truly dries out. Amazing stuff.”

“I—” Wylie didn’t even know what to say to that. On some level, he’d known there were other supernaturals in the world. After all, his father had talked about Hunters as going after all of them, not just Yeti. And some of the shows he’d watched over the years, they’d featured such creatures—vampires and werewolves, mostly, but here and there a few others, like Goblins or Ghouls or Bigfoots. Plus, of course, he’d seen those movies with the elves and dwarves and orcs and so on.

He’d just never thought any of it was real. Not truly. He’d figured they were just stories, myths, tall tales, and the like. After all, the only creatures he’d ever seen that weren’t human or regular animals were, well, other Yeti. But evidently, that was just another result of his sheltered lifestyle.

“So, you live here? In the city?” he asked now. He’d expected to see all kinds of new sights here, of course. But another supernatural hadn’t been one of them!

“You betcha,” Knox replied. He flung his arms wide, and Wylie noted that the little man’s hands were dusted with bright colors, presumably from his art. “Welcome to the Twin Cities! Best place in the whole world! What’s your pleasure? Music? Art? Food? Sports? Ladies? Gents? We got it all!”

“I—” Wylie frowned. “I’m just—I just need a place to lay low for a bit,” he admitted slowly, not used to explaining himself to others. “To hide out and be safe.”

“Safe? From what? Big strong guy like you, what’re you afraid of, huh?” Knox elbowed him in the side. “Is it a jealous ex? I’ve had plenty of those, let me tell you! That ain’t fun, can’t blame you for running from something like that!”

“No, no, nothing like that.” Wylie shook his head. “Look, I should really— thanks again. About the wallet. I don’t want any trouble. Just looking to keep to myself for a bit.” He turned and started out of the alley, his heart rate almost back to normal now despite the strangeness of this conversation.

“Oh. Hey, yeah, no worries. If you’re sure.” From the lack of footsteps, Knox wasn’t following, for which Wylie was grateful. “You change your mind and need a local guide, though,” the little man—Goblin?—called after him, “you know where to find me! That picture ain’t gonna finish itself!”

Wylie held up a hand in a vague wave, acknowledging the offer, as he stepped back onto the main sidewalk and quickly marched away, trying once more to lose himself in the crowd.

He didn’t look back.

AaronRosenberg

First sighted in the wilds of New Jersey, the cryptid known as “Aaron Rosenberg” or “the Gryphon Rose” has been seen as far afield as New Orleans and Lawrence, Kansas, but for the past twenty-five years has been primarily found in and around New York City. Though a sociable creature, Rosenberg has been known to unleash cutting wit and biting sarcasm, often upon those pulled into his expansive social circle. When not utilizing such weapons on the unwary, or camouflaging himself as the web content manager for a financial trade organization (previous disguises have included “college professor,” “animation studio creative director,” “film studio script supervisor,” and “children’s book publisher desktop coordinator”), the Gryphon Rose can most often be found pounding the keys of a battered laptop or equally dilapidated desktop, engaged in his most beloved activity—writing.

Over the past thirty years, Rosenberg’s particular brand of storytelling has been traced to more than two hundred publications, including roughly four dozen novels in a variety of imaginative genres, from horror to comedy to action-adventure to mystery to various shades of science fiction and fantasy. His unique approach has been conclusively linked to the bestselling sci-fi comedy series The Adventures of DuckBob Spinowitz, the Anime-esque epic fantasy series the Relicant Chronicles, the space-opera series Tales of the Dread Remora, the period cryptid mystery Gone to Ground, the pirate fantasy mystery adventure Deadly Fortune, the historic dark fantasy Time of the Phoenix, and, in a rare collaboration with unsuspecting human David Niall Wilson, the occult thriller series OCLT. Rosenberg is also believed to be responsible for the award-winning Bandslam: The Junior Novel, the bestselling Finding Gobi: Young Reader’s Edition, the #1 bestseller 42: The Jackie Robinson Story, and the original children’s book series STEM Squad and Pete and Penny’s Pizza Puzzles.

Nor has this strange and prolific creature limited himself to original work. Rosenberg has also inveigled himself into various tie-in worlds, producing novels for such properties as Star TrekWorld of WarcraftWarhammerStargate: AtlantisShadowrunEureka, and Mutants & Masterminds, and short stories for The X-Files, James Bond, Deadlands, Zorro, and many more. The Gryphon Rose has even made his mark on roleplaying games, writing the original games AsylumSpookshow, and Chosen, and doing work for other games by Wizards of the Coast, Fantasy Flight, Pinnacle Entertainment, and many others—he won an Origins Award for the book Gamemastering Secrets and an ENnie for the Warhammer supplement Lure of the Lich Lord!

When Rosenberg is not writing at breakneck speeds, working alongside regular folk, or deploying snark against those who call him friend, he can be found reading, watching TV and movies, eating, and spending time with his mate “Jenifer” and their two offspring.

To follow more of this strange creature’s adventures, monitor him through his site at gryphonrose.com, observe him on Facebook at facebook.com/gryphonrose, and watch his antics on Twitter @gryphonrose. Just be prepared for frequent dad jokes and daily writing updates.


eSPEC EXCERPTS – PHOENIX PRECINCT


Here’s a sneak peek of Keith R.A. DeCandido’s Phoenix Precinct, which is funding right now via our eSpec Books Fantastic Novels campaign, along with Aaron Rosenberg’s Yeti Left Home and Ef Deal’s Esprit de Corpse. This is the latest installment of Keith’s long-standing Precinct series of novels and short stories following the Cliff’s End Guard.

We don’t have a finalized cover yet, so we’re going to jump right in!


SIX

As Torin entered the Old Ball and Chain with Danthres following their shift, he found himself remembering the day seven years ago when a guard named Urgoss was nearly killed.

A guild hall in Dragon Precinct had collapsed in the midst of a Tavern Guild meeting, and the Castle Guard was tasked with rescue operations. It was all hands on deck, as it were, and Torin, Danthres, Linder, Iaian, Karistan, and Nael were all tasked with helping pull people from the wreckage, alongside guards from all the precincts. Urgoss, a dwarf, had been pulling a woman from the Tavern Guild from underneath a pile of bricks that had fallen on her and shattered her leg. A support beam gave way, and the ceiling collapsed. Urgoss barely managed to avoid it, but it was a near thing.

The week before, Urgoss had reached his twenty-fifth year in the Guard, but declined the pension to continue in the job. After nearly having a ceiling fall on him, he reversed that position and filed his retirement paperwork. Iaian and Geff Linder had been assigned to investigate what happened at the guild hall—it had been sabotage by the Blacksmith’s Guild—and, at the two lieutenants’ urging, Urgoss had been the one to arrest the guild leader who had ordered the job done.

That was Urgoss’s last task as a member of the Castle Guard, and he used his savings and his pension to purchase a tavern, which he renamed the Old Ball and Chain, after his grandfather, who was a general in the dwarven army who carried a mace that he always referred to as the Old Ball and Chain, and his father, who had always said he was going to open a tavern with that name after his Dad, but drank himself to death instead of doing so.

Their shift having ended, Torin and Danthres worked their way to the back corner where the detectives usually sat in the evenings. It was Iaian and Linder who had first claimed that table after the tavern opened seven years ago, and it had been their table ever since. (Some guards from Goblin Precinct had tried to claim it once, but Urgoss himself had made it clear to them that they weren’t to sit there—mostly by watering down their drinks and messing up their orders until they finally changed tables.)

As he moved with Danthres through the long tables and the bar back to the corner table, Torin thought back to how completely the detective squad had changed since Urgoss opened this place. Linder and Nael had both been killed, with Nael’s partner Karistan maimed, losing her arm, in the same assault that killed her partner. Iaian had retired, as had their boss Captain Osric, during Lord Blayk’s brief regime, both taking early retirement. Others had come and gone. Hawk, killed during a bank robbery. Dru, promoted to captain. Amilar Grovis, who left to join the family business of running the Cliff’s End Bank. Horran, brutally injured during the Gorvangin Rampages.

And now only Danthres and Torin were still with the squad.

Danthres said, “I’ll get the drinks—ale?” Urgoss never hired waitstaff—he felt that you should come to the bar to get your drink, and if you were too drunk to manage that, then you should go home.

“Please,” Torin said, and he proceeded to the table.

While Captain Dru hadn’t joined them—he only did occasionally—the rest of the squad was all present. Manfred and Kellan were both nursing ales, while Dannee was throwing back a flagon of the fruity drink she loved that Torin could smell from here. Aleta had a shot of that purple elven drink she favored.

Manfred grinned at Torin’s approach. “And now the gang’s all here!”

“Well,” Kellan said, “once Danthres comes with the drinks. She couldn’t’ve come by and asked what we wanted?”

“You all have drinks,” Torin said as he sat next to Aleta. Doing so meant that he’d be a buffer between Aleta and Danthres, which was sometimes a dangerous place to be, but generally things went more smoothly if the elf who used to murder halfbreeds as a matter of course wasn’t right next to the halfbreed.

Danthres came back with two flagons and sat next to Torin, placing the flagons down on the wooden table with a satisfying thunk.

“Good,” Dannee said, “now we can ask them, too.”

“Ask us what?” Torin queried while Danthres just started chugging her beer.

Aleta asked the question. “How well do you know Rob Wirrn?”

“I encountered him a few times,” Torin said. “Good guard, always seemed to know everyone.”

After finishing her gulp of ale and letting out a very loud belch, Danthres said, “I served with him in Goblin when I was a rookie. Torin’s right, he always knew everyone on the street he walked past.”

“He’s one of the ones Blayk talked into retiring, as I recall,” Torin said after sipping his own ale.

Aleta said, “Well, apparently he’s started a security force to keep order down Jorbin’s Way. It’s called Ankh Security.”

Torin frowned. “Isn’t that what we’re supposed to be for?”

Dannee pointed at Torin. “That’s what I said!”

“Are you sure about this?” Danthres asked.

“Our victim mentioned it,” Aleta said, “and Hobart confirmed it.”

Danthres winced. “Hobart’s not exactly a reliable source.”

“He is for me.” Aleta smiled proudly. “He’s convinced that if he ever lies to me, I’ll break his clavicle.”

“And he hasn’t lied to you once?” Torin asked.

“Not that I’ve discovered,” Aleta said.

“Well, it works out either way.” Danthres grinned. “Either you get good information, or Hobart suffers great pain. Win-win.”

Manfred gulped down his drink, then said, “We haven’t heard anything about this, either.”

“Have you talked to Wirrn?” Torin asked.

Dannee shook her head. “We haven’t had a chance. We got the confirmation about this Ankh Security while Boneen was doing the peel-back of our crime scene. Then we had to go try to find the people who trashed the stall, but we didn’t have much to go on.”

“Why, was the peel-back interfered with?” Torin asked.

“No, they wore masks.”

Torin’s face fell. “Please tell me they weren’t hobgoblin masks.”

“How’d you know that?” Dannee asked, sounding incredulous.

Exchanging an annoyed glance with Danthres, Torin answered the question. “The quartet who committed our murder last night were all wearing hobgoblin masks.”

Dannee and Aleta exchanged a similar glance, though theirs was more shock. “We also had four people,” Dannee said, “and the masks were all different colors.”

“Red, yellow, orange, and green,” Aleta said.

“Same as ours.” Danthres pounded a fist on the table. “Dammit. I take it your victim was from Barlin?”

Aleta nodded.

“We should go to Dru tomorrow,” Torin said, “and figure out how to proceed. Since the perpetrators are the same in our two cases, we may need to join forces.”

“Joy,” Danthres muttered. To Torin’s relief, that was all she said.

Dannee said, “The captain may want us to look more into Ankh Security, though.”

“Somebody should,” Kellan muttered.

Chuckling, Danthres said, “I wish you’d told us this sooner, then we could’ve made you two talk to the Fansarris.”

Manfred visibly shuddered. “Not the Fansarris…”

“You know them?” Torin asked.

“About a year and a half ago—when Gan Brightblade and his elven wizard friend were killed? I was working Unicorn then, and I got called to the Fansarris’ house because a dimensional portal opened up in their back yard. A hobgoblin came out and nearly killed me.”

Torin recalled the incident. “Wasn’t it the Fansarris’ son who conjured the portal?”

Manfred nodded.

“Interesting, as Elmira Fansarri said she had no children.”

“If I remember right,” Manfred said, “the Brotherhood of Wizards recruited him. The Fansarris hate magick, so it doesn’t surprise me that they disowned him if he went off to apprentice to some wizard.”

“Something the Fansarris and I have in common then,” Danthres said with a chuckle. Her disdain for magick was legendary. “I wouldn’t have believed it.”

“Oi, ban Wyvald, Tresyllione!” came a voice from behind them.

Turning, Torin saw Tuchera, who was one of the veterans who was transferred from Dragon to Phoenix when the latter was opened. She always insisted on working the night shift, from her time as a rookie in Unicorn. “Sun hurts my eyes,” she always said.

Kellan laughed at her approach. “Shouldn’t you be working, Tuchera?”

“I am workin’, Arn. Came ’ere for these two. Got us a bahrlan who got hisself beat up by the boulder by four shitbrains in hobgoblin masks—an’ we know that ’cause this one lived and described ’em.”

Torin’s objection that they already had a case died on his lips. He looked at Danthres. “Same method of attack, same attackers, same type of victim, same location.”

“But the victim lived.” Danthres gulped down the rest of her ale, let out a particularly loud belch even by her high standards, and then got up from the table. “Let’s go.”


Keith R.A. DeCandido

Keith R.A. DeCandido is a white male in his early fifties, approximately two hundred pounds. He was last seen in the wilds of the Bronx, New York City, though he is often sighted in other locales. Usually, he is armed with a laptop computer, which some have classified as a deadly weapon. Through use of this laptop, he has inflicted more than fifty novels, as well as an indeterminate number of comic books, nonfiction, novellas, and works of short fiction on an unsuspecting reading public. Many of these are set in the milieus of television shows, games, movies, and comic books, among them Star Trek, Alien, Cars, Resident Evil, Doctor Who, Supernatural, World of Warcraft, Marvel Comics, and many more.

We have received information confirming that more stories involving Danthres, Torin, and the city-state of Cliff’s End can be found in the novels Dragon Precinct, Unicorn Precinct, Goblin PrecinctGryphon Precinct, Tales from Dragon Precinct, and the forthcoming Manticore Precinct and More Tales from Dragon Precinct. His other recent crimes against humanity include an urban fantasy series taking place in DeCandido’s native Bronx (A Furnace Sealed and the forthcoming Feat of Clay, with more threatened); the urban fantasy short story collection Ragnarok and a Hard Place: More Tales of Cassie Zukav, Weirdness Magnet; the Systema Paradoxa novella All-the-Way House; the graphic novel prequel to the Resident Evil: Infinite Darkness TV series, The Beginning; short stories in the anthologies Devilish and Divine, Three Time Travelers Walk Into…, The Fans are Buried Tales, and in the Phenomenons and Thrilling Adventure Yarns series; and nonfiction about pop culture for Tor.com, the Subterranean Blue Grotto, Outside In, and Gold Archive series, and on his own Patreon. Among his known associates are collaborators in his crimes against humanity: Dr. Munish K. Batra (the serial-killer thriller Animal), David Sherman (the military SF novel To Hell and Regroup), and Gregory A. Wilson (the award-winning graphic novel Icarus).

If you see DeCandido, do not approach him, but call for backup immediately. He is often seen in the company of a suspicious-looking woman who goes by the street name of “Wrenn,” as well as several as-yet-unidentified cats. A full dossier can be found at DeCandido.net